Building the National Museum of African American History and Culture

The Harriet Elliott Lecture Series is one of UNCG's marquee events. The College of Arts and Sciences has a large endowment to bring dynamic speakers to campus to address important and timely issues within the social sciences. The event cycles among the departments within the College here at UNCG, and this year's host department was History, who organized everything around the theme "The Power of History: Memory and Representation."

The keynote speaker was Dr. Lonnie Bunch, the founding director of the Smithsonian National Museum of African American History and Culture. As the Chair of the Harriet Elliott Steering Committee, I had the pleasure of meeting him in person before the keynote address on the evening of March 27th. An extremely pleasant person, Dr. Bunch was at ease discussing everything from history to baseball. (He did relate a disturbing story about White supremacists who would periodically visit the museum to laugh at the slavery exhibits.)

The keynote address, which was attended by about 190 people, was entitled "Building the National Museum of African American History and Culture." Dr. Bunch is a wonderful storyteller. He was so engaging, in fact, that I was hardly aware of the passage of time: I couldn't believe that an entire hour had elapsed. Some of the highlights:

• I was surprised to learn that serious schemes to create a museum dedicated to African American history and culture first appeared before World War I, and President Calvin Coolidge signed legislation in 1929 that created a commission to design and construct such a museum. Unfortunately, pressure from Southern politicians ensured that no funding was attached to the resolution, and the onset of the Great Depression sidetracked the enterprise. It was not until 2003, when President George W. Bush signed another authorization, that momentum for a museum again gained traction.
• The story about the museum's collection was particularly fascinating. With what was essentially the Smithsonian's version of Antique Roadshow, Dr. Bunch and his staff scoured the country for items. Ultimately, of the ~40,000 pieces in the museum's collection, about 70%, including a bible owned by Nat Turner, were pulled from peoples' attics, basements, and garages.    
• The final price tag for the museum came to $540,000,000, and the average visit lasts about 4-6 hours. (The average visit for the other Smithsonian museums is about 1.5 hours.)
• While assembling the collection was a gargantuan challenge, the most difficult task was deciding what sort of museum to build. The ultimate goal, Dr. Bunch said, was to confront what it means to be an American. So, the museum needed to create not only a Black experience, but an American experience. Dr. Bunch also wanted the museum to humanize history and, in so doing, help people embrace ambiguity and nuance. What, then, should the museum be about? Pain? Slavery? Famous firsts? Should the exhibits and the museum be for African-Americans alone? The answer was to find the right tension between all of them. My sense is that the purpose of the museum is to invite people to take ownership of our past, to confront memory, and to invite reconciliation. 

History organized a follow-up panel discussion, attended by ~85 people, entitled "History Matters: Searching for LGBT History" featuring John D'Emilio and Mandy Carter. Hats off to the Organizing Committee from History, especially Anne Parsons and Asa Egar, who put together an absolutely fantastic event.

I think the impact that the museum could have on Americans was expressed best by Princey Jenkins, a 93-year-old African-American who, when interviewed by Dr. Bunch during the planning phase of the museum project, said "People used to remember. Now they forget."